Tag Archives: Hollows Cover

So Kim, what does T-4 stand for?

Did you know that this year, on Halloween, it will be the 50th anniversary of the Turn? I think I’m going to have a little party and celebrate. It’s been over a decade, over two and a half million words on this world alone, and though I tried to say good-bye, clearly that didn’t happen.

But in all the interviews over the years, no one has ever asked where the name T4-Angel originated from. It came from my writer’s critique group almost twenty years ago, when one of the other members began waxing eloquently about a bible verse he was incorporating into his thriller. (Yes, that means you, Craig!) “And the fourth angel poured his vial onto the sun, and it became as sack cloth.” T4-angel was born.

The image haunted me, and so at long last, I give you, The Turn

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I think this will be one of my favorite covers, maybe because I took more of a hand in it than any other cover I’ve ever had to do before. The original before my tweaking was fantastically beautiful, but those who know the Hollows know she is beautiful only on the surface. She is harsh, unforgiving, dark, and can kill you even if you are careful. But I’m not going to give you bad unless I bracket it by an equal or excessive amount of good, hence Ivy, a true friend struggling with addiction, Jenks, loyal to a fault even as he deals with his wife’s death and his children moving on, and Rachel, who has a heart bigger than the bankrolls of those she faces and is often her own worst enemy.

So I love this cover, with equal amounts of beauty and ugly. It’s a fairytale, not where the prince carries the princess off to his castle, though you can kind of see that at the end if you squint really hard. It’s a fairytale where toes are cut off to fit in slippers, and children are abandoned in the woods to die of exposure. It’s death, and sacrifice, and heartache, and hope.

And I think you’ll enjoy it.

Amazon

Barnes and Noble

Want a chance to win an ARC of The Turn? Send Tim an email at <coldtoastwritingsllc@comcast.net> by Friday (11/30), midnight, EST, with “Tomato” and the number of pumpkins you think I’m going to get out of my pumpkin patch this year in the subject line. i.e. Tomato42

We won’t be reading them, but we will squirrel your answers away, and when I harvest, I’ll draw names from those readers who guess right. So use an email address we can reach you at come October.

AugustPumpkins1

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You can judge a book by its cover

The Turn is coming! I’ve got the cover to prove it! And the tease in me is going to draw it out all week so I can take the time and tell you about the thought that should go into a cover.

There’s a joke in NY that the last person to design the cover should be the writer because most of us want it to be a pure expression of what’s inside, but after years of seeing how these are put together, I’ve learned a few things about what makes an effective cover, (I had a great teacher)  and what isn’t as successful. Rarely does the cover ever look like a scene of the book, but rather, it has elements that tell you what’s inside. Something magical for paranormal, a man and a woman if there’s lots of romance, a flavor of setting, (space, fantasy, castle, city, futuristic) weapons if there’s danger, wolves if there’s Weres, and fangs for vampires, you get the idea.

If I were to duplicate an image from the book, Trisk would be in a lab coat, that wonderful hair of hers in a bun with maybe a man in a suit or lab coat behind her smiling wickedly against a backdrop of a tomato field (or city) putrefying in the sun. Personally, I like the red dress much better. Covers are not so much duplicating an image from the book as finding the feeling they contain. And even after that, even the professionals don’t know what makes one cover fly off the shelves and others not.

I’m hoping this one jumps off the shelves like it was on fire.

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Yes, I know you can’t see the last half of it clearly. Tease, remember? And I want to slow down and talk about aspects of this absolutely fabulous cover as it evolved from what I first saw.

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At the heart of the story, there is Trisk, Trent’s to-be mother, and the cover should have her on it. My editor chose the model and put her in a bright red dress, and I think it does a fantastic job of reflecting Trisk. She’s a dark elf, like Quen, sophisticated, smart, and has been expected to focus on security as her career. And as beauty can be equated with danger, the model is indeed, beautiful.

But Trisk, like the story itself, has a core of science running through her. The original cover had all the beauty, but none of the science, so I suggested a DNA helix necklace. The necklace does double duty as the glints tend to draw in the eye and give hints that there might be magic involved. I also asked for the neckline to shift to a straight cut as that was the style in the sixties and I felt that that element of the book needed to be on there somewhere.

Tomorrow, I’ll show you the background, and tell you why I love my editor’s choice there so much.

 

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Ever After cover reveal

Finally, after what seems like forever!  (smile)  The cover for Ever After, book eleven in the Hollows series.

Sometimes, it all comes together.  Wow.  I’m so pleased to be able to share this awesome cover with you guys.  I always like my covers, but some of them stand out as exceptional, and this is one of my favorites if not my number one.  🙂

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