I went to sleep last night mentally whistling something I heard while working. I woke up with it still there, and when it was on the radio again this morning before the sun came up, I hit the “heart” button on my SiriusXM to save it. I save stuff maybe once a week, which isn’t much considering I have the thing on every hour I’m in my office. I even went and looked up the lyrics, sort of a 50/50 proposition in itself because most of the stuff on Chill is new or ah, not popular/marketable. The lyrics I found are a mess so I’m going to do a deeper search today.
But the point I’m not so successfully making here is that I’m connecting to music again.
I used to connect music a lot, but it tapered off right about book seven or eight in the Hollows. It worried me until I started working on Peri and again the music began connecting–and I figured out another one of my creative quirks.
When I’m busy learning about a character or world, when I’m in the gritty trenches of creating something from nothing and making the rules that I’ll work in for the next five years or so, I’m constantly searching for connections between everything on the page–the front, the back, the middle. The characters, their world, our world. Issues to text, plot to issues. The mental gymnastics spill over, not so much in the day-to-day stuff, but it will fasten upon music, ever present, ever changing–and a connection is made to a beat, a lyric, a feel or sound. It’s only when I feel I have the world down and the characters are so real that I can write them in my sleep that the music connection seems to die. Don’t get me wrong. I still listen and enjoy, but they don’t connect. And I missed it.
When I found one that connected to Peri, it was a great relief.
Here are the two latest:
La Roux/Skream In For The Kill
DJ Assad/Greg Parys We Are One
But the best for Peri so far has got to be Banks Before I Ever Met You